but when she was aboveground again, she caught herself looking at her hand, for example, and wondering whose hand it was. The centrepiece of the exuberantly coloured exhibition is vocabulary of solitude from 2014, a meditative installation of sculpted clowns in passive poses. Be well and stay safe. i close my eyes. for example, she almost spent an entire week thinking of elephants, nothing but elephants. he’s perched in the trees like an animal, patiently and inescapable and staring out at the landscape while the shiny skin of his face catches isolated sunbeams and throws them aimlessly back into the branches. Email * Due to the incredible success of Seven Magic Mountains since its opening, artist Ugo Rondinone has expressed a strong desire to explore ways to keep the artwork on view at its current site. The hyper-realistic clowns are of different genders and ethnic backgrounds. i push it around the store for a while before standing still. four people. i’m like everybody else, i think, i’m giving a party. Masks are required. i never sleep. A creative expression of human presence in the desert, Seven Magic Mountains punctuates the Mojave with a poetic burst of form and color. Welcome to the Ugo Rondinone Online Viewing Room. Cast in bronze, the sculptures were conceived from limestone models, scans of which were “three-dimensionalized” within a digital program. Both groups are the study and enjoyment of naturally formed stones as objects of beauty and contemplation, and in turn generate personal, meditative states of looking in which the boundaries between the outside world and internally visualized spaces break down. you’ll always be alone.” he leans towards me across the dark sea between us. everything about him is long and looks sickly, pallid and anemic, like a wasted plant that has been in the cellar for so long that it has turned white while blindly reaching out along the floor in search of light. Ugo Rondinone (schweizerisch, geb. and when i go outside, my short wooden legs creak in the damp air and his wooden hand caresses my wooden face. cook. what prospects could i… a person like me… possibly have, he would ask. over and over, like something someone’s saying in a trance. i could smell his skin, hear his soft, tense animal breath, a gentle, damp breeze drifting across the desert of my face. guided by voices kunsthaus glarus glarusseptember 10, 1999 - november 21, 1999. i never sleep. all the ones i read have been placed by people who say they are professionally successful, cultivated, open, well-educated and have a sense of humor. Please provide your email to enter. The sculptures impart a message of hope, like aphorisms celebrating the value of life and love. all of that could be true. i am here to be seen. i can feel his hand, his eyes, i can almost see his face but when i open my eyes, there are only the contours of my own dark room, and the hand on my face is my own. we would cook supper on the hot plate with the radio and the television on. what i feel is my own touch. “we’re here forever.” his hand is a spider at my throat, his hand is a spider on my stomach, a spider in my mouth. it’s late and the wind carries a faint sound as it moves through the trees. the light and the people and the cars, everything is dull. cry. she said she spent hours on the ears alone. It is impossible to see out of the colourful windows hanging on the walls. When completed, this series will stand in for Friedrich’s complete oeuvre, 160 windows in total. The exhibition is organized in conjunction with the Helsinki Festival. this will finally make me happy, i think to myself. eat. the street is dull and getting darker. and on the floor there are countless plastic cats set up in long, strict rows. the water is murky and my goggles are steamed up so that i can only see the blurred contours of the fish swimming apathetically back and forth between bed and chair and window. i see my face reflected thousands of times in the shattered mirror scattered on the floor under my bed. my heart is a moth fluttering against the walls of my chest. Ugo Rondinone, red black monk, 2020, painted cast bronze, unique, 300 x 162 x 108 cm (118 1/8 x 63 3/4 x 42 1/2 in). i tear both pictures out of the magazine and carefully cut the husband out and hang the pictures of the woman next to each other above my bed. “everyone will love me,” he whispers. the streets are deserted and there’s no wind while i’m walking home and i feel as if i’m being watched, followed by the lunatic gaze of tiny beings that live in the cracks of houses. “this will finally make you happy,” the letter promises. and a huge flycatcher is hanging in front of the window. it’s like a room that no one has ever entered, a room without windows or doors, a place where nothing happens. float. Tickets during opening hours Ugo Rondinone, red black monk, 2020, painted cast bronze, unique, 300 x 162 x 108 cm (118 1/8 x 63 3/4 x 42 1/2 in). there are an awful lot of christmas cards in that store and i go through most of them before finding one i like. Ugo Rondinone land art exhibition titled Seven Magic Mountains in a desert near Las Vegas is considered to be the biggest land art exhibit in the last 40 years Ugo Rondinone Creates the Biggest Land Art Exhibit in the Past 40 Years May 10, 2016. the woman from the cave smiles at me and i wonder what they did with her body after she died, if they buried her. where i am is the deepest part of the deepest cave. so i lay there motionless without batting an eyelash, even when his fingertips were caressing my eyes. i’m going to hang it up over my bed right next to the two photographs of the woman in the cave. Instead of diminishing the interiority of the spaces they hang in by allowing us to see outside, Rondinone’s metal windows reinforce a sense of isolation from the external world and provoke a palpable sense of enclosure. a muttered litany of people who simply have nowhere else to go, no one else to talk to, and nothing else to do besides sit on a bench staring numbly at whatever passes by. “no one will ever love you,” he says. i smile and he stares back at me for a minute and then abruptly puts out his hand and lets down the blinds. Nervanderinkatu 3 One of the works in the exhibition is a space lined floor to ceiling with children’s drawings of rainbows. there is something i want. 1964). i would think that the last thing she would have wanted was to go back underground. “i’m here,” he says. her husband is in both pictures; in the first one he’s looking at her and bursting with pride but she has already turned away to start climbing down and you can only see her face from the side. people who sit around on benches all day long, dedicating themselves to their chitchat. my brain is tangle of spiders wriggling and roaming around. His … We have great news for all art lovers who are fans of land art, and public art as well. Take your experience home by ordering official Seven Magic Mountains prints by Gianfranco Gorgoni. but the room is still full of insects anyway and every time i hear something fluttering, i whirl around, jump up and run around with my dirty mangled flyswatter. "Stones have been a presence and recurring material and symbol in my art. First name * dear single, the letter starts. they drift past my window like the weather. his touch was as if a delicate insect had landed on my face. i lay my head down on the windowsill. the evening passes like any other. most of the time he sat in the chair next to the window, as if in a dark pool, his face turned away from the light and surrounded by pictures that he’d torn out of magazines and was pinning to the wall. then i can’t think of anything else. Many of Rondinone’s slogan-like sculptures reiterate everyday sayings or quotes from pop music or poems. in the article about the woman in the cave, there are two photographs of her. they all look similar, like little pets sitting on his head. my window is speckled with the remains of squashed insects. it’s bright and warm outside and i’ve got tons of time. when she came out of the cave, she thought she was safe. he would laugh if he saw me here. love invents us from 1999 transforms the atmosphere of the sculpture gallery with colourful decals on the tall windows, which filter incoming light in the myriad shades of the rainbow. the woman from the cave stares out through me. my throat is a moth. i don’t know if i want to catch it like that or ward it off. the man turns his head from side to side and looks at himself and squints and looks glumly into the mirror and suddenly he grins and then he smiles and finally laughs and nods. At the end of 2018, the Bureau of Land Management (BLM) issued a three-year permit extension for the artwork, allowing the installation to remain on view through the end of 2021. but before it turns away, i touch it and then the ray fish almost seems to be lying in my arms. He combines conceptualism with elements of Pop Art, reflecting on everyday events that often convey a contemplative, existential dimension. she was a psychologist and was conducting an experiment. i’ve never slept at all. Carrying titles such as calm, still, silence and no one’s voice,all from 2006, they seem to quietly wait for the clown’s next performance to begin. wouldn’t say anything. remember. but after a while she realized that all she could do was think. i’ve never had a dream. it’s hard to imagine him doing sports. she killed herself a year after she had come out of the cave. it’s like a huge sacrificial feast, masses of insects solemnly dying. hope. when i came home, he would be there and the tv would be on and he’d be sitting in the armchair staring out of the window. Each work in this series of hanging life-size windows cast in bronze or aluminum is named after a painting by the German Romantic artist Caspar David Friedrich. the sun had become a pure figment of the imagination with no reference to anything, and after a while light itself began to confuse her. i roll over on my side and close my eyes and open them again and wait for my head to empty out. men and women float alone through the air. Painted in bright colours, the hollow from 2014 and the pure from 2017 emphasize the enclosed nature of the exhibition space, forcing viewers to turn their gaze back on the gallery or themselves. i’m standing under water in a corner of my room and wearing diving goggles without a snorkel.

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