The spirit predicts that he and Miki will be promoted when they get to Cobweb Castle. I am not saying that reality always is without mystery. And more importantly, his choices must be considered his own, even if persuaded to them by others, most notably Lady Asaji. I think so, too. Towards the end of the sequence as Taketoki Washizu agrees to the deed, Lady Washizu walks out of the room to drug the guards and as she walks out, she fades into black. I don’t arrive at this conclusion at all. I would also like to point this out to those like Richie, who view Throne of Blood as a film with no loose ends. This plan is, however, dropped when Lady Asaji announces her (quite sudden, perhaps nonexistent) pregnancy, putting forth a chain of events which ultimately leads to Washizu losing his throne far earlier and much more violently that would have been the case with a more peaceful, natural succession. That’s exactly the joke! Yet, as I noted earlier, the film paradoxically seems to give us the impression that Washizu is in fact a lesser villain than his Shakespearean counterpart. That’s an important plot point!). Cause and effect is the only law. Tagged: fate, film club, free will, macbeth, predetermination, throne of blood, villainy. When they finally reach the castle, the emperor promotes them, as was predicted in the ghost’s prophecy. Did she acquire someone else’s services? Ugetsu’s discussion about Washizu’s wrong and irrational choices made me wonder whether his irrational choices are due to “magical thinking” where everything is about him and his ambitions. She seems to vanish, enveloped in the blackness, and then mysteriously rematerialises, more like a ghost that a human being. A war-hardened general, egged on by his ambitious wife, works to fulfill a prophecy that he would become lord of Spider's Web Castle. This is how I see things, although that may seem odd, it is sincere. I’m a bit unclear. Like Asaji she is there to voice the part of his mind that lies beneath the martialism. http://putlocker.bz/watch-throne-of-blood-online-free-putlocker.html. But as I said, I have not fully done my homework here. It is then explicitly stressed that there is absolutely no hope, that he is doomed, we might even say predestined to lose (00:05:45-00:06:00). I am really surprised, though, to hear that Vili can’t make it through Tolkien. I think Washizu’s fate is not predetermined, it is not predicted – he is instead, like the characters of the Iliad, just a plaything of the gods. You shall slay the great Lord” which puts the film into its natural setting and establishes the atmosphere of a traditional Japanese kingdom. Although that begs the question how exactly, as it is hinted that the Washizu + Asaji combination is unable to produce a child. I gave up on Crime and Punishment once and eventually went back and finished it. Many think, or assume, she killed herself, but if I remember correctly the movie says nothing directly about her fate one way or another. It represents a very nihilistic view of life, and one that I am sure AK did not buy into. In any case, that scene where Asaji vanishes into her closet, only to emerge again a moment later, is very interesting. Of course, if we think about this only in terms of the story, we can still say that Washizu was predetermined to win in the end, whatever the odds against him were (which in a predetermined world would always have been 0). If this is the case, Washizu’s murderous act is really quite unnecessary. Crime and Punishment is written more tightly, although Sonia (I think I have her name right) is one of the most unconvincing prostitutes in all of literature (the archetypal prostitute with a heart of gold). It is a universe where future actions already exist, and cannot be changed. The two commanders are astonished by this, Analysis Of The Book ' Wizard ' Vs. Savage ', Sigmund Freud And The Psychosexual Stages Of Development, The Historical Biography Of Siddharta Gautama, Conflict Between Equity And The Common Law. But I don’t think that Washizu ever really goes as far as to consider these things. Our understanding of the world is, by nature or design flawed and incomplete. Macbeth‘s “weird sisters” seem like such an obvious reference to the Fates (Germanic/Norse Norns) that one cannot but wonder what else they could be. Our self-interest often betrays us, as it does others. It may have in some respects obviated the ambition and need to kill their Lord but it also would have brought hope and, if a boy, prestige. Home - News - Information - Discussion, Email Alerts - Facebook - Twitter - Tumblr - Reddit - RSS, Akira Kurosawa info is © 2006-2020 and maintained by Vili Maunula I don’t know if you are aware of this, or whether this is really even relevant, but there is actually a long tradition in Macbeth criticism that considers Lady Macbeth as one of the witches (usually Hecate, who makes an appearance towards the end of the play). Me: But by thinking that the world is thus fully in charge of your destiny, you obviously give up, and stop making your own decisions. Was it something to do with his writing of the Ents going to war or was it Kurosawa thinking about Macbeth and his film? Macbeth’s tragic flaw is perhaps not so much his over-reaching power-hungry ambitions, but rather comes in the form of a realisation about the insignificance of his existence and his inability to affect his own destiny. The coda of moaning rocks-spirits of the destruction-tell the end at the beginning! I can see why someone steeped in the philology of Norse myth would come across as dull. Washizu is given a perfectly rational explanation for the unexpected arrival of the Lord and his army at the North Mansion. But maybe that’s just me. And not just the wrong one, he is given a fairly rational option each time, but he always picks the ‘irrational’ one. Yet, it seems to me that both interpretations are nothing but empty talk, and the actual reason for the crows’ sudden arrival is the fact that, as we have been told, the forest is being cut down by Inui’s men, forcing the birds to flee. On the first encounter, she is spooky, quiet, ominous. When there is at least a glimmer of hope his writing style, or at least some of the content, is sprightly, noble, or otherwise interesting (like the chapters with the Ents) but “Two Towers” can be a slog. Isn’t there such a “joke” in Macbeth? Although this is neither the time nor the place to go further into this particular topic, I wanted to briefly mention all this, since it is a package that I naturally carry over also into my experience of Throne of Blood, whether or not this is beneficial to me. What I’d suggest with respect to LotR is skimming and/or skipping over what you don’t like to get to the next sections you can tolerate. Washizu becomes the master of North Castle, as well as the Lord of Forest Castle. I think there is quite a strong current in AK’s films that wives and other women in powerful mens lives have a strong, subtle influence – there was a discussion about this in one of the threads in Red Beard. But of course, maybe she is covering up the fact that there was no baby at all. This isn’t a subject I know much about, but I’ve always assumed that in Japanese Shino based folklore, forest spirits were fairly neutral deities – neither good nor evil, all powerful or passive. Change ), Throne of Blood (1957) By Akira Kurosawa – Sequence Analysis. In fact, the Lord himself gives a rather believable strategic reason for his and his troops’ presence at the North Castle, namely his plan to attack Inui. This black symbolizes the dark deed she’s about take part in. And, is the whole thing about those trees moving something that undercuts the “magic” of the witch, of the prophecies? He is a man who has been thrust into a situation that he pretty much knows the outcome of and cannot seem to escape. Great discussion! I wonder, and provided that you at least half-agree with my original post, do you think that it would be a stretch of imagination to claim that Throne of Blood is not an isolated case in Kurosawa’s contemporary output as a film dealing with issues like destiny, one’s role in the world, and free will? Perhaps the story is a cautionary tale against self-deception. Anyway, just a point to make-the “reality” I spoke of was “explainable phenomena” relevant to what made the trees move. Everything about her seems different from the first encounter, and not only that, but either she is very good at transforming into ghostly soldiers, or she is not alone. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Was it Tolkien? All this, I feel, emphasises the fact that these alleged signs are, ultimately, really signifying nothing at all, and that the various interpretations are based entirely on the whims of the individuals, and not on the actual physical world around them. I’ll have to watch it again to find more examples, but I do think that the structure of the movie gives Washizu a whole series of choices, and in each one he unfailingly takes the wrong one – and more than ‘wrong’, he chooses the paranoid and mystic, over the rational. Men appeared to have quite little say over family matters or finances. He is bullied into the first murder by Lady Asaji’s suggestion that the current Lordship’s visit to Washizu’s North Castle is a plot to get rid of him.

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