Marble. Assistance by Giuliano Finelli. Galleria Nazionale di Arte, Palazzo Barberini, Rome. Urban VIII saw Bernini as useful in his fight against the Reformation which he saw as a great threat. Bernini, who died in 1680 AD, was still a young man at the time of the portrait's composition and would go on to serve other popes after the death of Urban VIII in 1644 AD. 1658. ‘Pope Urban VIII’ was created in 1632 by Gian Lorenzo Bernini in Baroque style. Marble. A promoter of the arts, Urban VIII was the foremost patron of the important Baroque sculptor and architect Gian Lorenzo Bernini, some of whose finest works he commissioned, including the loggias of St. Peter’s, Rome, and Urban’s tomb in the basilica. The Pope recommended that Bernini expand his skills into painting and architecture, and in 1629 he was named Architect of St. Peter's. Marble. ; San Lorenzo in Fonte, 1626. It was the pope who persuaded Bernini to study architecture and that led to him improving the Vatican as well as many fountains in Rome. Private Collection (Barberini Family). Collection Principe Enrico Barberini. Early 1640s. Several sculpted busts of Pope Urban VIII were created by the Italian artist Gianlorenzo Bernini, with varying amounts of assistance from other artists in his workshop: . Assistance by. Marble. Despite this, throughout 29–30 July, the cardinals began an intense series of negotiations to test the numbers as to who could emerge from the conclave as pope, with Cardinal Ludovico Ludovisi dismissing Barberini's chances as long as Barberini remained a close ally of Cardinal Scipione Borghese, whose faction Barberini supported. Palazzo Barberini, Rome, 1623-4. This page was last edited on 18 August 2020, at 06:41. Urban VIII summoned Bernini soon after he assumed the papacy in 1623. Patronage of Urban VIII. Barberini was considered someone who could be elected as pope, though there were those such as Cardinal Ottavio Bandini who worked to prevent it. Bernini's theatrical style, Urban thought, would be influential. ; Galleria Nazionale di Arte, Palazzo Barberini, Rome, 1637-8.. Largely the work of an assistant. Under Pope Urban VIII, Bernini received the first of several commissions for Saint Peter’s—the enormous marble, bronze, and gilt baldacchino (1623–24) to stand over the papal altar. Find more prominent pieces of portrait at Wikiart.org – best visual art database. (He did, after all, force Galileo to recant). With the pontificate of Urban VIII (1623–44), Bernini entered a period of enormous productivity and artistic development. Ludovisi had discussions w… [2], "Galleria Borghese raccoglie fondi per comprare busto di Bernini - Arte", The Goat Amalthea with the Infant Jupiter and a Faun, Busts of Cardinals Agostino and Pietro Valier, Busts of Paolo Giordano and Isabella Orsini, https://en.wikipedia.org/w/index.php?title=Busts_of_Pope_Urban_VIII&oldid=973615397, Creative Commons Attribution-ShareAlike License, San Lorenzo in Fonte, 1626. Several sculpted busts of Pope Urban VIII were created by the Italian artist Gianlorenzo Bernini, with varying amounts of assistance from other artists in his workshop: [1], In 2020, the Galleria Borghese began a fund raising campaign to purchase the last bust on this list from the Barberini family. The painting's subject, under whose patronage the Italian artist would become Rome's chief architect, may have believed that Bernini's immense talents were better suited to grander projects than a humble oil-on-canvas painting. Early 1640s. Soon after, he began a monument to Urban VIII (1627–47), a work that defined the …

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