Instead, in a private space, we see a hand put down a glass of wine, and the men kiss. The cakemaker is left to pedal his little bicycle back home. Forgot your password? She says no. Watching this, I often felt I was seeing an actors studio of acting exercises, like how to go from laughter to tears, or how to show sorrow with just your eyes. I am truly shocked at the high rating. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out. The drama is quite layered as well with cultural, social, and religious themes impressing upon the core triangular relationship. Commendably, the film treats issues of sexuality and sexual identity as subtly and indirectly as it does other potentially hot-button topics. It's to the credit of the small cast that the film's slow pace doesn't become oppressive. The textures of contemporary Israeli life, including the friction between religious and non-religious Jews, are carefully, sensitively registered here, as are the differing ways that Israelis interact with a German in their midst. Here, desire is fluid and multi-faceted, and connected to many other life issues and emotions rather than being a factor explained by reductive labels or assumptions. That understanding lies beyond Anat's brother Moti, whose initial disdain for "the German" takes cover under the formal strictures of the kosher. | At this point we're 15 min. J.R. 'Bob' Dobbs & The Church of the SubGenius, Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. Engaging, but really unsatisfying - so many unanswered questions. Under a fabricated identity, Thomas infiltrates into the life of Anat, his lover's newly widowed wife, who owns a small café in downtown Jerusalem. Thomas starts to work for her and create German cakes and cookies that bring life into her café. The pacing in this film is just amazing, from a particularly slow start to an inevitable crash waiting to happen. Perhaps what I admire most about the film though is the broad, non-judgmental way in which it depicts love and loss, unbound by social and cultural divides. The passion is unexpected. Why does Thomas, a gay man in love with Oren, then sleep with his dead lovers wife? Metacritic Reviews. An intriguing and atmospheric drama from the debut of the middle-aged Israeli writer-director Ofir Raul Graizer. We just see her immediate warmth towards him, her generosity, and her tacit knowing. But there is a suggestion of a happy ending. He's going home - as usual, he thinks - alone, but still warmed by the memory of his beloved Oren and Anat. and a couple of men who fall in love with each other (why?) Tim Kalkhof creating a character of Romanticism in pure sense. brings the story of Thomas, a cakemaker in Berlin whose Kredenz Cafe and Bakery is frequented by Oren, an Israeli guy often in Berlin on business. | Every scene is like a puzzle piece giving us glimpses of the emotional chains that keep Thomas bound. When Thomas investigates, he discovers that his lover has been killed in a car accident in Jerusalem. Cinemark Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Watching it, the film’s intelligent, well-crafted story and beautifully drawn characters seem to suggest literary roots. But that acceptance too takes faith. for gestures, silence and the breath of words. Sign up here. FAQ Is there a degree of willful blindness going on? A quietly beautiful film about having the courage to follow one's bliss. When Thomas makes love to Anat later it is with the memory, gestures and emotion he recalls from Oren. Rather Thomas's embrace of Oren is so complete that it can include the other objects of Oren's love, his wife and his son. ("What cafe would serve such a big slice of cake?" They won't be able to see your review if you only submit your rating. It's tender, sweet, heartbreaking and perfectly acted. The cathartic moment using flashbacks after the critical reveal shows instead the wife laughing almost comically following a clumsy attempt at lovemaking in the kitchen, reinforced by her likely telling her brother-in-law to kick the poor German schmuck out of the country. There is little in the way of logic or depth to this movie and it comes across as more of an "art film" than focusing on really telling a meaningful story. Tim Kalkhof's performance is breathtaking. Oren, who travels frequently to Berlin on business, tells his wife Anat he is having an affair and is leaving her. |, August 5, 2018 It brought tears to my eyes, still I tremendously enjoyed it. |, July 24, 2020 Perhaps the key to the film's conception of love lies in the scenes where Thomas asks Oren to describe his most recent love-making with Anat. for me it was a revelation. That doesn't make them bisexual. We then go to "One Year Later", and apparently Thomas and Oren live together when Oren comes to Berlin. The film stops before we know if and how they will recover their love. Kalkhof’s remarkable performance is one that seems founded on stillness and silence, which we can imagine are natural defenses for a young man who has been deeply wounded by life. THE CAKEMAKER (3 1/2 Stars) It is not a love story, but a story about love. Arriving in Jerusalem, Thomas's isolation is caught in one shot where he's shrunk to the lower right of the screen, passed by two gesticulating orthodox Jews. Here we have a beautiful movie about a woman who apparently has given up religious observance (why?) Sorry guys!!! All rights reserved. How many lovers discover they have any such strong bond in common? | Rating: 4/5 Soon after, a mysterious German (Thomas) shows up at Anat's Jerusalem café, becoming a regular customer while asking for a job. I disagree with those reviewers who accept the last few scenes of this film as a potential fulfillment of an actual love affair between the wife and the boyfriend.

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